Cushing gives heartfelt performance in 'Tales from the Crypt'

Tales from the Crypt (1972)
Starring: Joan Collins, Peter Cushing, Nigel Patrick, and Ralph Richardson
Director: Freddie Francis
Rating: Eight of Ten Stars

This anthology film from British horror company Amicus is the original screen adaptation of the "Tales from the Crypt" comic book. And it's a fabulous one--with a fine cast of actors, great camera work, and mostly tight scripting.

From the framing sequence--which features a group of tourists that find themselves stranded inside an ancient tomb where they encounter a mysterious crypt keeper (Richardson)--we know we're in for a treat. The crypt keeper's interaction with the lost tourists is the conceit that brings us into the stories.

The first tale in the film is "All Through the House", in which an evil, scheming wife (Collins) murders her husband on Christmas Eve... only to discover what Father Christmas does to those who have been naughty. There are some great visuals and fabulous contrasts of colors here, not to mention great acting by all featured (even the child actor, which is a rare occurance!)

Next up is "Reflection of Death", perhaps the weakest tale of the bunch, because it feels like it's been padded. It's the tale of a man who gets in a horrible car-wreck but finds that no-one will help him or his mistress after he's crawled from the wreckage. There's a nice, chilling twist in this one, but it takes entirely too long getting there.


The third story, "Poetic Justice", is my favorite of the bunch, and it features horror great Peter Cushing in his most touching (and probably deeply emotional) performance ever. He portrays a lonely widower who is driven to suicide after a pair of cruel businessmen cause him to believe that the neighborhood children, who have been his only joy since the death of his wife, have come to hate him. The poor old man gets his revenge, however, in a way that's fitting of "Tales from the Crypt". (In real life, Cushing himself lost his wife shortly before working on this film. I'm of the opinion that Cushing largely plays himself in this sequence.)

The fourth tale, "Wish You Were Here", is a pretty straight-forward spin on the classic "The Monkey's Paw" story. It is based around the standard of a string of badly worded wishes that backfire tragically and horrifically, but the climax of the story is so terrifying and skin-crawling that it literally had me squirming in my chair. Both as a kid and as an adult, the finale of this story is the one that hits me hardest.

Finally (aside from the creepy wrap-up to the framing sequence), we have "Blind Alley", the tale of a vicious administrator of a home for the blind, who is given a fitting punishment by his charges when they've finally had enough. This one also feels a bit padded and it drags a bit, but there are enough chills and scary moments--not to mention fine acting by Nigel Patrick as the hateful, gluttonous administrator.

"Tales from the Crypt" is a little-seen gem, and I recommend it highly to anyone who thinks fondly of British horror films from the Sixties and Seventies.

Cushing rules 'From Beyond the Grave'

From Beyond the Grave (aka "Creatures" and "Tales from the Beyond") (1975)
Starring: Peter Cushing, David Warner, Donald Pleasence, Ian Bannen, Angela Pleasence, Nyree Dawn Porter, Ian Ogilvy, Lesley-Ann Down, Ian Carmichael, Margaret Leighton and Jack Watson
Director: Kevin Connor
Rating: Eight of Ten Stars

Deep within the back alleys of London is a little hole-in-the-wall antique shop that is crammed with the strangest and most wondrous things. It is run by a kind, elderly man with a thick Northlands accent (Cushing). He can find just the thing you're looking for, he is always helpful, and his prices are very, very fair. But a bad end will come to those who deal with him unfairly, or who outright steal from him.


"From Beyond the Grave" is a misnamed movie if there ever was one. This anthology film which features three stories about three customers to the antique shop run by Cushing's character, and the fates they suffer after they respectively cheat him, steal from him, and deal fairly with him. If *I* were King of the World (or if I'd been the one assigning alternate titles to this one, I would have chosen "Curious Goods", "Final Sale", "Deals to Die For", or something along those lines. Yes, this is a cheesy horror movie--where curses on antiques manifest themselves to punish those who do wrong--but it is nowhere near as awful as its title implies.

All four stories in this one are good, creepy fun. They are all paced just right, and they all sharp dialogue, well-balanced mixes of humor and horror, and a couple of startling moments just to add a little extra zest. The featured actors all give top-notch performances as well, with Cushing, Warner, Bannen, and Angela Pleasence being particularly excellent in their parts. (Of course, Cushing is pretty much always excellent, so I suppose I didn't even need to praise him. I don't think I've seen Ms. Pleasence in anything before or since, but she gives a performance that rivals anything her famous father has ever put forth.)

The first story sees David Warner stiffing Cushing for quite a bit of money when he switches the price-tag on a mirror he desperately wants. Well, said mirror is possessed, and soon Warner's character is killing hookers for fun and eternal life.

The second story has Ian Bannen, a spineless and henpecked husband, attempting to buy a war medal from Cushing so he can artifcially boost his self-esteem. When Cushing refuses to sell the medal to him without proof of actual war-time heroism, Bannen steals it. A chance encounter with a real war-hero and his strange daughter subsequently goes from friendship to horror. (This segment is scariest in the film, and it's final scene is one that will stay with you for a while.)

The third story is mostly comedic in nature, and it starts with a business man cheating Cushing on the purchase of an antique snuffbox (to which Cushing, upon noticing the swindle, comments, "I hope you enjoy snuffing it). Turns out, the cheapskate ends up with a demon on his shoulder, and when he turns to a befuddled medium for help (hilariously played by Margaret Leighton), things end up going from bad to worse. (The finale to this one is as creepy as it is funny.)

Finally, an honest customer comes into Cushing's shop. He's looking for a little something to liven up his study, and he purchases an old door... without stealing, cheating, or lying. The item still turns out to be cursed (we wouldn't have a story otherwise!), and it turns a closet into a room that houses an ancient evil. This final story isn't as strong as the first three, but it's still pretty good. And the fate of the characters are in line with everything that's happened to the cheaters.

"From Beyond the Grave" is definitely one of the better anthology horror films that has been made. If you like your horror with a side of class and thoughtfulness, this is a film for you. I recommend it highly, and I assure you that it's better than the title suggests.

Cushing shines in excellent segment of anthology film 'Asylum'

Asylum (1972)
Starring: Robert Powell, Partrick Magee, Herbert Lom, Barry Morse, Barbara Parkins, Britt Ekland, Charlotte Rampling and Peter Cushing
Director: Roy Ward Baker
Rating: Seven of Ten Stars

Dr. Martin (Powell) is charged with a most unusual final test before being hired for a position at an insane asylum: He must interview several inmates and deduce which of them is the former director of the facility.


"Asylum" is another of those very excellent horror anthology films from the '60s and '70s. This one uses Dr. Martin's final employment test as its framing story (although, in this film, the frame is itself a little twist-ending horror tale that) and the interviews with four of the inmates are the short horrors we are treated to.

First up, we have what is probably the weakest of the bunch... a story where a murdered wife who reanimates to take revenge on her husband and is lover (Parkins), despite having been dismembered and neatly wrapped in a number of individual packages. Athough predictable and goofy, the images of the writhing packages and the capper to the story as it ends and gives way to the frame more than make up for the weak story.

Second, there's the story of a desperately broke tailor (Morse) who receives a most unusual commission from a greiving father (Cushing), and in the end, we learn the lesson that tailor shops and occultism should be kept seperate. This tale is a bit slow-moving, but its beautifully shot, and Morse and Cushing both give excellent performances.

Third, we have the story of Barbara (Rampling) who, after being released from an insane asylum, promptly murders her brother and nurse. Barbara blames the evil Lucy (Ekland) for committing the crime and framing her, but is reality being filtered through the mind of a mad woman? This story is pretty basic and it works first and foremost due to the great performance of Ekland.

Finally, we have the tale of Dr. Byron (Lom), a medical man who has come to believe he can transfer his mind into dolls that he creates. Unlike the other three, this story is not a flashback, but instead takes place in the present and within the asylum walls. It is the most clever and surprising of the bunch, and the way it merges with the framing story is particularly horrific and grand. It's a great closer to a fine collection of stories.

To make this package even better, the film features some nice camera work and a great music score (that is especially effective in the Rampling/Ekland sequence).